After the deliriously layered spectacle of its recent "Raymonda" world premiere, Houston Ballet is ending its season with a mixed rep program focused on simplicity and clarity. The show's three ...

In the interest of time, we're gonna be focusing on turns. The fouette sequence in Swan Lake. of being a principal ballerina. As a disclaimer, this is my interpretation of complexity. Level one, plie.

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook New York City Ballet wrapped up its 75th anniversary celebration at Lincoln Center this spring with a look to the future. But it ...

Opening with Stanton Welch’s youthfully buoyant “Sparrow,” the program turns meditative with Ben Stevenson’s serene “Four Last Songs” then ends on a high classical note with the tutu and tiara ...