14mon MSNOpinion
Kathryn Bigelow Responds to Pentagon Criticism of ‘A House of Dynamite’: “I Just State the Truth” (Exclusive)
The Oscar-winning filmmaker speaks with The Hollywood Reporter alongside screenwriter Noah Oppenheim about the film emerging ...
There are already whispers that A House of Dynamite could make Kathryn Bigelow the first woman to win the best director Oscar twice. Her first was for The Hurt Locker – another biting portrayal of ...
The Independent on MSN
A House of Dynamite director Kathryn Bigelow reacts to Pentagon ‘inaccuracy’ claims
Kathryn Bigelow has addressed the United States Department of Defense’s criticism of her latest military drama, A House of ...
Director Kathryn Bigelow's latest film has drawn Pentagon criticism over its depiction of the US nuclear missile defence ...
Opinion
Kathryn Bigelow hits back after Pentagon criticises ‘A House of Dynamite’ over alleged inaccuracies
The Hurt Locker' director Kathryn Bigelow has hit back after The Pentagon criticised her new movie 'House of Dynamite', which is streaming on Netflix.
A House of Dynamite' director Kathryn Bigelow and screenwriter Noah Oppenheim have responded to gripes made by the Pentagon ...
The Pentagon is once again focused on important issues. like a Netflix film about a nuclear disaster, RadarOnline.
Kathryn Bigelow has hit back at Pentagon criticism of her new Netflix movie A House of Dynamite, saying she “states the truth ...
Kathryn Bigelow's A House of Dynamite ends not with a bang, but a silence that shakes you. As Idris Elba's President faces an ...
The ending of Netflix's A House of Dynamite is frustrating and bad, failing to capitalize on its premise in favor of telling ...
19hon MSN
‘House of Dynamite’ Writer Tells Pentagon Claiming Inaccuracies: “We Respectfully Disagree”
What we show in the movie is accurate,” Noah Oppenheim said after Kathryn Bigelow’s Netflix thriller captured a U.S.
An internal Missile Defense Agency document cites ‘inaccurate’ portrayal of Washington’s ability to repel a nuclear strike in Kathryn Bigelow’s movie ...
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